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(६८)

यहि विधि जैबै भव पार मोर गुरु भेद दिए॥टेक॥
दृष्टि युगल कर लेवै सुखमनियाँ हो,
देखबै अजब रंग रूप॥१॥
तममा जे फुटि फुटि ऐते पँच रंगवा हो,
बिजली चमकि ऐतै तार॥२॥
सुरति जे चढ़ि चढ़ि चन्द निहारतै हो,
लखतै सुरज ब्रह्म रूप॥३॥
सुन्न धँसिये श्रुति शब्द समैतै हो,
पहूँचि मिलिये जैतै सत्त॥४॥
सन्तन केर यह भेद छिपल छल,
बाबा कयल परचार॥५॥
तोहर कृपा से बाबा आहो देवी साहब,
'मेँहीँ' जग फैली गेल भेद॥६॥

(৬৮)
যহি বিধি জৈবৈ ভব পার মোর গুরু ভেদ দিএ ||টেক||
দৃষ্টি যুগল কর লেবৈ সুখমনিযাঁ হো,
দেখবৈ অজব রংগ রূপ ||১||
তমমা জে ফুটি ফুটি ঐতে পঁচ রংগবা হো,
বিজলী চমকি ঐতৈ তার ||২||
সুরতি জে চঢ়ি চঢ়ি চন্দ নিহারতৈ হো,
লখতৈ সুরজ ব্রহ্ম রূপ ||৩||
সুন্ন ধঁসিযে শ্রুতি শব্দ সমৈতৈ হো,
পহূঁচি মিলিযে জৈতৈ সত্ত ||৪||
সন্তন কের যহ ভেদ ছিপল ছল,
বাবা কযল পরচার||৫||
তোহর কৃপা সে বাবা আহো দেবী সাহব,
'মেঁহীঁ' জগ ফৈলী গেল ভেদ ||৬||

Gujarati

Punjabi

Tamil

Telugu

(൬൮)

യഹി വിധി ജൈബൈ ഭവ പാര മോര ഗുരു ഭേദ ദിഏ ॥ടേക॥
ദൃഷ്ടി യുഗല കര ലേവൈ സുഖമനിയാം ഹോ,
ദേഖബൈ അജബ രംഗ രൂപ ॥൧॥
തമമാ ജേ ഫുടി ഫുടി ഐതേ പംച രംഗവാ ഹോ,
ബിജലീ ചമകി ഐതൈ താര ॥൨॥
സുരതി ജേ ചഢി ചഢി ചന്ദ നിഹാരതൈ ഹോ,
ലഖതൈ സുരജ ബ്രഹ്മ രൂപ ॥൩॥
സുന്ന ധംസിയേ ശ്രുതി ശബ്ദ സമൈതൈ ഹോ,
പഹൂംചി മിലിയേ ജൈതൈ സത്ത ॥൪॥
സന്തന കേര യഹ ഭേദ ഛിപല ഛല,
ബാബാ കയല പരചാര॥൫॥
തോഹര കൃപാ സേ ബാബാ ആഹോ ദേവീ സാഹബ,
'മേംഹീം' ജഗ ഫൈലീ ഗേല ഭേദ ॥൬॥

Kannada

68. YAHI VIDHI JAIBAI BHAV PAR 

Thus will I sail across the sea of transmigration, my Guru taught me the secret. ||refrain||
I will unite the two currents of my sight in the Sushumnâ, and feast my eyes on incredible colours & forms. ||1||
From within the darkness would burst forth five iridescent colours85; also will I behold flashes & bright stars. ||2||
The Surat (Soul) will soar higher & higher to view the Moon84 as also the Sun84 form of God. ||3||
Sinking even deeper into the void, the soul would move into the sphere of sounds, and eventually be riveted to the Eternal Word. ||4||
This loftiest wisdom of sants had remained hidden from the most; Baba took it to masses. ||5||
O Baba Devî Sâhab, this esoteric knowledge, says Mehî, got spread far & wide across the globe, with your compassionate grace. ||6|| 

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  • 84. As the meditator gazes fixedly, in the inner sky, in front of the centre of the eyes following the technique as taught by an adept Guru, he pierces the gross creation by entering through what is variously termed “Âjnâ Chakra”, ‘Sushumnâ’, the Third Eye/Til, The Single Eye, The Tenth Door/Gate etc. From here begins the state or Zone of Turiya which starting from the Âjnâ Chakra extends up to the Realm of Quintessential Unstruck Melody or Pure Consciousness; the transcendental Supreme Being in His pure form lies beyond the Plane of Pure Consciousness. The realms/zones encountered by a practitioner of inner meditation beginning from the Âjnâ Chakra could be listed as i) Sahasrâr/ Sahastra-Dal-Kamal (Thousand-petalled Lotus) where Moon is sighted within, ii) Trikutî where the meditator visualises spotless Sun, iii) shûnya (Void), iv) Mahâshûnya (Greater Void), v) Bhanvar Gufâ (Spiralling or Whirling Cave) or Mahâkâran (Supra-causal or Equilibrial Primordial Nature), and vi) Satlok/ Sachkhand (True World) or Hiranyagarbha (Golden Womb) or Kaivalya/ Chetan Mandal (Zone of Pure Consciousness or Samashti Prâna (Universal Life Force). The Supreme Being is clearly visualised as the meditating Soul rises into the Sphere of Pure Consciousness though a very thin veil separating the Soul from the Supreme Soul still remains. Unity or identity or merger with the Supreme Being is attained only after even the last Realm that is, the Realm of Pure Consciousness is transcended. Thus is bhakti (meditation or worship) completed or perfected resulting into complete liberation or salvation.
  • 85. Each of the five elements constituting the gross universe possesses its own distinct colour viz. Earth/Clay – Yellow, Water – Red, Fire/Heat – Black, Air – Green and Sky/Space – White. A meditator clearly sees each of these five unique colours of the five elements separately within.